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Liner Notes

50+ videos Play all Mix - Every Breath you Take 👀 - The Police / MusikMan #156 YouTube The Sound of Silence 🎸 - Simon & Garfunkel / MusikMan #018 - Duration: 3:37. MusikMan 5,874,147 views.

This was the second Greatest Hits compilation to be released, following 1986's 'Every Breath You Take - The Singles'.

Tracklisting

1. Roxanne
2. Can't Stand Losing You
3. So Lonely
4. Message in a Bottle
5. Walking on the Moon
6. The Bed's Too Big Without You
7. Don't Stand So Close to Me
8. De Do Do Do, De Da Da Da
9. Every Little Thing She Does Is Magic
10. Invisible Sun
11. Spirits in the Material World
12. Synchronicity II
13. Every Breath You Take
14. King of Pain
15. Wrapped Around Your Finger
16. Tea in the Sahara

Reviews

Review from Q magazine by David Sinclair

All songs written by Sting it says under the 16 titles on Greatest Hits - 15 of them Top 20 hits, five of them Number 1's. As an epitaph for The Police, this simple statement of fact could hardly be bettered. For, if Sting had needed drummer Stewart Copeland and guitarist Andy Summers more and they had depended on him less, it's just conceivable that one of the great rock groups of our time might still be functioning.

But, when in 1985, the photogenic bass player's first, tentative efforts to establish a solo career yielded immediate and handsome rewards, the group he had transformed (creatively) from pseudo-punk hopefuls into a pan-global colossus was ruthlessly cut dead in its prime.

Now The Police are a fading memory - no idle talk of reunions for them - and to coincide with a slack period in the cycle of Sting's multi-platinum activities, A&M Records has assembled, for the second time, a collection of the group's most successful songs.

What is most striking about this superb body of work, is the lean economy of the arrangements and the directness of expression in the lyrics, especially given the wearyingly verbose nature of the songs on Sting's recent albums. Indeed, compare the brisk, alert stride and neatly ordered punch lines of 'Roxanne', 'Can't Stand Losing You', 'Walking On The Moon', 'Every Breath You Take' and 'Message In A Bottle' to any of the songs on 'Soul Cages' and it becomes clear that Copeland and Summers were far more than a passive vehicle for Sting's songs. As powerful personalities and assertive musicians in their own right, they gingered up Sting's basic ideas while putting the brakes on his tendency to earnest excess. If Sting had proposed 'The Dream Of The Blue Turtles' as the title of a The Police album, the other two would have laughed him out of the house.

Sting, of course, has had the last laugh and Summers and Copeland will doubtless be glad of the extra revenue which this latest compilation will generate. Flung together with a casual lack of effort extending from the obvious choice of tracks to the lazy, generic title, the album is a virtual re-run of the 13-track 'Every Breath You Take - Singles', released in 1986. 'Don't Stand So Close To Me', 'De Do Do Do, De Da Da Da', 'King Of Pain', 'Invisible Sun' and the other big hits are all duplicated, while 'Synchronicity II' and 'The Bed's Too Big Without You' are the two major additions. There are no remixes, no remasters, no alternative takes, and no new single is being released to promote the album. Only the idiosyncratic choice of 'Tea In The Sahara' - a minor track from 'Synchronicity' - as filler right at the end of the disc, is likely to excite any comment. And that would only be to ponder why it's there.

The songs are still great and presumably the assumption is that many people who have invested in a CD player since the time of the last retrospective will welcome a fresh chance to buy in to this superb legacy. As a straight-down-the-line exercise in milking the market, 'Greatest Hits' thus takes some beating.

. 'Released: October 1986Professional ratings Review scoresSourceRatingA−Every Breath You Take: The Singles is the debut compilation by, released in 1986. In 1990, the album was repackaged in, and Spain as Their Greatest Hits with a different cover.A video collection entitled Every Breath You Take: The Videos was released alongside the album. It was released on and cassette, as well as on in the UK, Europe and in Japan. The collection featured fourteen promotional videos, for twelve of the thirteen tracks on the album as well as 'Synchronicity II' and the original version of 'Don't Stand So Close to Me'.

Contents.Background In the aftermath of their in 1984, The Police announced that they were taking a pause of reflection before recording a new album. The same year released a second album of instrumental music with, Bewitched. Worked on the soundtrack of the 's film, with the single ' peaking at No.

In 1985 released his first solo album, with great critical and commercial success. The album was followed by an extensive promotional tour, that resulted in a double live album,. In 1985 Copeland started working on The Rhythmatist, an ambitious project that led him to spend a significant amount of time recording and filming in. About one year later Summers scored the soundtrack for the film.By the time the trio reconvened to play three concerts for the Amnesty International in June 1986, the atmosphere was tense. According to Sting, 'It was a very symbolic moment.

We'd broken up, then sort of reformed to do the Amnesty Tour. Were there as well and as we closed our set with ', came out and sang it with us. And then we symbolically handed our instruments over to U2, because they were about to become what we were — the biggest band in the world'.In July the band booked time in the studio to record a new album. In the liner notes to the Police's box set, Summers recalled: 'The attempt to record a new album was doomed from the outset. The night before we went into the studio Stewart broke his collarbone falling off a horse and that meant we lost our last chance of recovering some rapport just by jamming together. Anyway, it was clear Sting had no real intention of writing any new songs for the Police.

It was an empty exercise.' With Copeland unable to play the drums, the short-lived reunion resulted in an attempt to re-record some of their previous hits. Copeland opted to use his Fairlight CMI to program the drum tracks but Sting pushed to use the drums on his Synclavier instead.

As the group's engineer found the Synclavier's programming interface difficult, it ended up taking him two days to complete the task. Copeland ultimately finished the drum programming and claimed that the Fairlight's 'Page R' (the device's sequencing page) saved his life and put him on the map as a composer. In a Qantas inflight radio program named 'Reeling in the Years', Copeland was quoted as saying that the argument over Synclavier versus Fairlight drums was 'the straw that broke the camel's back,' and that this led to the group's unravelling.' ' was released in October 1986 as the final single from The Police.

'De Do Do Do De Da Da Da' was also recorded but the band was unsatisfied with the result, and as such it was shelved, only to be subsequently included on the DTS-CD release of the album in 1995.As to signify the poor atmosphere pervading the session, the three band members did not appear together in the photograph on the album cover, nor in the video shot by to promote 'Don't Stand So Close to Me '86'. Following the release of the album, the Police effectively disbanded.Reception Every Breath You Take: The Singles reached No.

1 in the UK album charts and No. 7 in the US charts. 'Don't Stand So Close to Me '86' made it into the UK Top 25.Track listing All tracks are written. Side one No.TitleOriginal albumLength1.'

'Outlandos d'Amour2:473.' 'Reggatta de Blanc5:015.' 're-recording of song from4:526.'

'Zenyatta Mondatta4:06Side two No.TitleOriginal albumLength7.' 'Ghost in the Machine3:449.' 'Ghost in the Machine2:5810.' 'Synchronicity5:14Cassette/CD version in U.K./Europe only All tracks are written. No.TitleOriginal albumLength1.' 'Outlandos d'Amour2:473.' 'Outlandos d'Amour4:484.'

'Reggatta de Blanc5:016.' 're-recording of song from4:527.' 'Zenyatta Mondatta4:068.' 'Ghost in the Machine3:4410.'

Sade unreleased dance mixes raritan nj. 'Ghost in the Machine2:5811.' 'Synchronicity5:14Personnel.

–, on 'Spirits in the Material World'. –, keyboards. –, keyboards, drum programming on 'Don't Stand So Close to Me '86'. Jean Roussel - on 'Every Little Thing She Does Is Magic'Every Breath You Take: The Classics In 1995, released Every Breath You Take: The Classics (renamed The Police Greatest Hits (digitally remastered) in 1996) to replace the original album.

It features a slightly different track listing: the original version of 'Don't Stand So Close to Me' replaces the 1986 recording at track 5; the '86 version appears at track 13. A « New Classic Rock Mix » of 'Message in a Bottle' is included as track 14. The (2000) and hybrid (2003) versions of the album include a previously unreleased version of '.In the DTS version, ' features a different intro. Also, The Singles featured a shortened version of 'Can't Stand Losing You' which featured an early fade out which ends the song before the final chorus concludes; The Classics replaces this with the full-length version.Track listing All tracks are written. No.TitleOriginal albumLength1.' 'Outlandos d'Amour2:583.' 'Reggatta de Blanc5:015.'

'Zenyatta Mondatta4:067.' 'Ghost in the Machine3:449.'

'Ghost in the Machine2:5810.' 'rerecording of song from Zenyatta Mondatta4:5114.'

' (New Classic Rock mix)remix of song from Reggatta de Blanc4:51DTS/SACD edition alternative track No.TitleOriginal albumLength6.' 'rerecording of song from Zenyatta Mondatta4:25Certifications RegionCertification/salesFrance 2× Platinum600,000.New Zealand Platinum15,000 ^Spain Gold50,000 ^Switzerland ( Switzerland)Gold25,000 ^United Kingdom 4× Platinum1,200,000 ^United States videoGold50,000 ^United States 5× Platinum5,000,000 ^.sales figures based on certification alone^shipments figures based on certification aloneNotes.